There are a lot of photographers looking for the best camera lens to buy in 2023, and I want to help ease their worries by showing them some of my favorite choices. There are two types of cameras: point-and-shoot and DSLR. If you are just starting out, choose a newer DSLR with a minimum price tag as they offer much better quality than their older counterparts.
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1. CANON EF 100MM F/2.8 L IS USM MACRO LENS
The EF 100mm f/2.8L Macro IS USM from Canon is a versatile L-series short telephoto prime that is also well-suited for portraiture and other mid-range subjects. Also contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with a full-time manual focus override. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions. Short telephoto prime is designed for full-frame Canon EF-mount DSLRs, however, can also be used with APS-C models where it provides a 160mm equivalent focal length. One ultra-low dispersion (UD) element greatly reduces chromatic aberrations and color fringing for improved clarity and color accuracy. An Optical Image Stabilizer helps to minimize the appearance of camera shake to better enable working in low-light conditions and with slower shutter speeds. A ring-type Ultrasonic Motor (USM), an internal focusing design, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. The rounded nine-blade diaphragm contributes to a pleasing out-of-focus quality that benefits the use of shallow depth of field and selective focus techniques. As a member of the esteemed L-series, this lens is sealed against dust and moisture for working in inclement environmental conditions.
2. NIKON Z 24-120MM F/4 S LENS
The NIKKOR Z 24-120mm f/4 S, from Nikon, is a wide-angle to short-telephoto zoom covering an extremely useful range of focal lengths to benefit a variety of applications from landscape to portraiture. The constant f/4 maximum aperture offers consistent performance throughout the zoom range and the lens features an advanced optical design for high sharpness and clarity. Featuring a combination of three ED elements, one aspherical ED element, and three aspherical elements, both chromatic and spherical aberrations are effectively eliminated throughout the zoom range for notable sharpness and clarity. The Multi-focus system incorporates two separate AF drive units, which are synchronized, to deliver especially fast and accurate focusing throughout the zoom range. This system uses stepping motors, which offer impressively smooth and quiet autofocus performance that is well-suited to both stills and video applications. Dedicated manual focus ring at the rear of the lens for tactile and precise control over the focus position. The assignable L.Fn button works in conjunction with camera-based Fn buttons to provide seamless points for quickly changing exposure settings and other functions.
3. OLYMPUS M.ZUIKO ED 17MM F/1.2 BLACK
The M.Zuiko Digital ED 17mm f/1.2 PRO from Olympus is a versatile wide-angle, 34mm-equivalent prime for Micro Four Thirds mirrorless cameras. Also, a complex 15 elements, 11 groups construction combines extra-low dispersion, aspherical, and high refractive index elements to significantly reduce both chromatic and spherical aberrations for notable image clarity, sharpness, and color accuracy. It also features a Movie & Still Compatible (MSC) autofocus system for smooth, quiet, and fast focusing performance that is suitable for both stills and video recording. Standard wide-angle 17mm lens is designed for Micro Four Thirds mirrorless cameras and provides a 34mm equivalent focal length. A Z Coating Nano has been applied to individual lens elements to noticeably reduce surface reflections and prevent lens flare and ghosting for improved contrast and color neutrality in strong lighting conditions. An MSC autofocus system, along with an internal focusing design, provides quick, quiet, and precise focusing performance to benefit both still photo shooting and movie recording. Weather-sealed construction guards the lens against dust, moisture, and freezing temperatures for working in harsh environments.
4. SONY FE 90MM F2.8 MACRO G OSS
The full-frame compatible FE 90mm f/2.8 Macro G OSS Lens for Sony’s E-mount cameras. As a G series lens, it perfectly balances sharpness and bokeh through the use of various specialized elements, this ensures highly detailed images, with smooth out-of-focus areas, and an absolute minimum of aberrations. The lens also boasts a fast f/2.8 aperture for controlling depth of field and working in less-than-ideal light as well as a Nano AR coating that helps eliminate ghosting and flare. On top of this, the focusing ring slides for immediate switching between manual and autofocusing. And, the lens has built-in Optical SteadyShot image stabilization for compensating for camera shake at all focusing distances. The true macro design affords a life-size, 1:1 magnification ratio along with an 11″ minimum focusing distance for working with close-up subjects. A focusing distance and magnification scale are also printed on the top of the lens to aid in more technical applications. One aspherical element is incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations. A Direct Drive SSM system and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contributes to more natural, intuitive manual focus control. An internal focus design further enhances usability by improving AF speed and ensuring that the overall length of the lens does not change during use. This stabilization system can also be combined with a select camera’s sensor-shift type image stabilization for more effective control of camera blur. This lens’ focusing ring can be slid forwards and backward to quickly shift from manual to autofocus modes, and vice versa.
5. SIGMA 85MM F/1.4 DG DN ART LENS
The Sigma 85mm f/1.4 DG DN is an Art-series prime characterized by its advanced and updated optical design, sleek profile, and bright design. The optical layout incorporates a series of low dispersion, aspherical, and high refractive index elements and its large-diameter design achieves a notable degree of clarity and sharpness with well-controlled distortion and aberrations. For autofocus, a stepping motor is used that maintains a lightweight and compact design while promoting fast and near-silent focusing performance for both stills and video applications. As part of the Art line within Sigma’s Global Vision series, this lens is designed to achieve truly notable optical performance and is ideally suited for creative and artistic applications. Bright f/1.4 maximum aperture is particularly well-suited for working in available light conditions and provides extensive control over depth of field for isolating subject matter with selective focus. One aspherical element and four high refractive index glass elements control spherical aberrations and distortion for increased sharpness and accurate rendering. Integrated stepping motor realizes quick and quiet autofocus, which is further complemented by an optimized AF algorithm to produce smoother focusing performance. Built-in Autofocus-Lock (AFL) button which can be assigned additional functions widens the range of operations available on the lens.
